I don’t honestly know how subtle Best’s lyrics are, but ICYMI, it’s “too late” for the land sharks because they’ve chosen a life-or-death battle with a HERO OF DESTINY. That destiny means his survival is foreordained. Only he or they […] ↓ Read the rest of this entry…
The lyrics here were another true collaboration. I came up with the first version of this song; Phil took my rhymes and reworked it into something more Bowie-sounding and typography-driven. I miss this period of Phil’s and my working together… […] ↓ Read the rest of this entry…
One thing Phil revised out of this story to leave room for this thrilling land shark chase was an intriguing meetup between Best and Her Grace Pardo, the woman from Chapter 3 who mentioned humans-only districts and then fretted that […] ↓ Read the rest of this entry…
“HEY GUY I’M STAB YOU” is primo meme material. Here’s a thought: if the land sharks are stupid like individual cells in the brain, do they actually think they are trying to stab Best? As happened a fair amount through […] ↓ Read the rest of this entry…
One of Phil’s best visual ideas, certainly the best we used in this chapter, was that Best would periodically update his look to suit different phases of his life, much as musical artists rebrand themselves. Early notes described this as […] ↓ Read the rest of this entry…
