One more thing about original-recipe, “always low-key berserking” Byron. The script includes a lot of notes for him that assumed a bigger role for his out-of-game counterpart than he would have, most notably that Byron would grow more snappish due […] ↓ Read the rest of this entry…
If we had kept Frigg’s aversion to puns and kept Byron’s keen appreciation for puns, we could’ve established some slapstick bit where Byron would make a pun, Frigg would deck him… and repeat every so often until Chapter 50, I […] ↓ Read the rest of this entry…
The script for the last panel reads, “His face has grizzled into a mischievous rage and his eyes have tinted ever-so-slightly red with blood.” If that seems out of place to you, well, it is: in all other instances, Byron […] ↓ Read the rest of this entry…
I love that dog Erica rendered in the corner there, he’s a great representative of Henry and Emory’s personalities: simple-minded, usually slow-moving, reactive. There’s also a fun circularity to this page: Byron just sort of appears next to them like […] ↓ Read the rest of this entry…
