The most positive way to view Batman, I think, is as a guy who experienced childhood trauma, spent some time broken, and reforged himself (with Alfred’s help) into somebody designed to prevent that trauma in others.

And let’s take a moment to consider just what it means for Byron to dress in Cultist robes long enough to maintain this little subterfuge. When Batman does “Matches” Malone, “Matches” comes off as a parody, like Bruce can only pretend to be a criminal by being an outrageous cartoon criminal. But the unity of the Cultist robes means that Byron is dressing just like whoever murdered his village, as far as he knows. It’s more like Batman trying to do a convincing Joe Chill. Just as well he probably didn’t have to speak before this.

As usual, Phil does a good job keeping the Cultist patter lively before the heroes show up, establishing these guys are stone cold evil, sure, but giving them little, relatable foibles and frustrations. I think I’m on the henchmen’s side here: “kids” is one of those words where the more common meaning is usually assumed.