Phil had various ideas about coming back to “one hand clapping” as a theme during Payet Best’s final scenes. Would he lose an arm in the final battle and clap by giving some young musician (maybe Tiny Tad here) a high-five? Or maybe just the high-five thing without the mutilation? In the end, there wasn’t really room in the story to lampshade it, but we did give each of his hands a solitary gesture that could be considered applause as he made a joyful noise.

After Bandit’s subtle appearances on the previous two pages, here we have the first “first encounter” between two of our main characters, and it’s the two who will never be in the same place at the same time again. I can’t say that we anticipated that exactly: in one early outline, Best was going to become violently jealous of Bandit, since she was his “replacement,” and they would have had a fight, with Best actively working to promote HR’s interests.

But this might be a test of how you define “first encounter.” Best is not really aware of Bandit as more than a voice in the crowd; if he knew what she was up to, he’d put a stop to it. Having citizens robbed in his presence doesn’t burnish his heroic image; stopping a thief would. Bandit puts on a show of interacting with Best, but she’s really just using him. He soaks up all the attention in the room like a sponge, leaving her free to thieve quietly. Her next bit of thievery, though, will attract a lot more attention.