He got the moooooooves like Jagger…

Nice work from Phil on the sound effects here. I think I might’ve helped with the Frank Miller-ish WHUD somehow, but memory is foggy and I can’t find any email records to back me up.

We’re continuing to do nice simple stuff with camera distance and angle. Sandwiched between the complicated and space-demanding panel 1 and the impactful and space-demanding panel 5, the reaction shots have a progression: from closer to further away, from less dialogue to more, from a shout of obvious anguish to a whimper of selfish panic to a snarl of irritation and deeply veiled worry.