Phil messed up here. Or did he? That last “I love you” was supposed to be E-Merl’s, not Rachel’s. I wrote it that way in the script, Phil misread it and lettered it the other way. I was upset by […] ↓ Read the rest of this entry…
This page is an attempt to concentrate Phil’s original concept for the battle down to a single page, while also serving as a transition from the previous page to the trap we saw sprung at the start of the story. […] ↓ Read the rest of this entry…
I like that the dialogue brings in links to prior scenes, with the mention of Bert followed by Byron reapplying the argument he made to E-Merl two pages earlier. (By the bye, the whole “You’re drinking FOR me” concept comes […] ↓ Read the rest of this entry…
Phil loved “The Swiggin’ Fist.” This is an interesting plot we sorta cut off here, and I guess it counts as unplanned foreshadowing. Despite her now-enviable position, Bandit’s still low-key fending off her klepto impulses, and she wonders if the […] ↓ Read the rest of this entry…
Storytelling by typography is something I wish I got to do more. There’s a project I’ve kicked around for over a decade called Tommy Sands, which would reimagine familiar typefaces as people. Unfortunately, my main idea for it was to […] ↓ Read the rest of this entry…
