Phil grudgingly let me have the “ka-this, ka-that, ka-these” gag, but had fewer reservations when we built on it later.

Byron’s eyeballs were supposed to be replaced with ralds in his “KA-CHING” panel, and it looks like they TECHNICALLY are, but the effect is so subtle you probably all missed it, especially since we haven’t actually gotten a good look at a rald yet.

Frigg’s uncharacteristic moment of near-panic sells the feeling of encroaching dread to the reader, but the important news of steady work pulls everyone else’s focus away from her, or they might notice something was up.

Notice who’s not where she used to be as we pass one of the prisoners on the way out?