Carol the corporate Kool-Aid-consuming cultist. Tight scene. Covers a lot of what she’s no doubt had to deal with in the days since HR became a recluse, and it seeds some exposition of Hurricane Studios’ current fortunes into organic dialogue […] ↓ Read the rest of this entry…
This was our least popular filler feature, and it was all Flo’s idea! I take no responsibility! None! (hurls effigy of Flo under the bumper of an accelerating bus) But hey, it’s not like I’ve never had experimental ideas that […] ↓ Read the rest of this entry…
This is as close to an origin story as Carol gets. There are other decisions along the path that calcify her destiny: choosing to work for Hurricane, choosing to cover for HR’s murder of Ferris, choosing to bring in JJ […] ↓ Read the rest of this entry…
Carol as we’ve never quite seen her. She doesn’t look like a teenager or even quite like a college girl, but there’s something about her look here that feels not quite finished. Hair, face, clothing choice. Again, fine work on John’s part. […] ↓ Read the rest of this entry…
I really want to single out John here. Flo’s script gave him some good instruction, but the sort of pure joy that takes hold of HR when he speaks is very difficult to convey in a way that makes him look not […] ↓ Read the rest of this entry…
